An unseen evil lurks in the streets of Paris. Unless something is done, the darkness will unleash its destruction and consume all that is good. The City of Love will be lost to her people forever. All hope rests within the hearts of five young ladies. The only problem is, they don't even know it yet. But will an apprenticed nun, a reserved aristocrat, a hardened criminal, a traveling circus emcee and a Japanese girl experiencing loss set aside their unique differences and come together as one for the defense of many. The Paris Fighting Troup is born.

Ten years after the demon war, the new Imperial Combat Revue’s Flower Division is assigned a new captain, Seijuro Kamiyama. Now, Sakura and the rest of the troupe must adjust to the change, face a demon invasion, and prepare for an upcoming tournament. They’ll have to juggle all this while keeping up with their training and continuing to put on shows at their home, the Imperial Theater.

Following in the aftermath of a terrible Demon-Human war, turn of the century Japan is preparing a new fighting force in case the demons decide to return. A squadron of giant robots are built to be controlled by the spirit of the pilot, but it is discovered that the only people with sufficient spirit are young women. After recruiting a team of youths from around the world, the Japanese government decides to keep them a secret by disguising them as a theater troupe, thus requiring them to spend as much time memorizing Shakespeare as they do on military training.

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Sakura Kinomoto, an elementary school student who discovers that she possesses magical powers after accidentally freeing a set of magical cards from the book they had been sealed in for years. She is then tasked with retrieving those cards in order to avoid an unknown catastrophe from befalling the world.

A young Russian businessman is tired of the unprofessional behavior of his employees so he decides to invite a general manager from Japan in order to improve the situation in the firm.

The COVID-19 pandemic kept dancers from the Paris Opera away from their rehearsal studios and the stage for many months.

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Director of Dance Benjamin Millepied pays tribute to his masters, George Balanchine and Jerome Robbins, two truly great choreographers, both of Russian origin, who led the American School, and dance in general, to rarely attained heights.

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